Archive for the ‘Fashion and Apparel.’ Category



[youtube=http://www.youtube.com/watch?v=7JxfgId3XTs&feature=player_embedded#!]

 yizal azrouel

kenzo



“The dress must not hang on the body but follow its lines. It must accompany its wearer and when a woman smiles the dress must smile with her.” – Madeleine Vionnet.

In centuries past, the natural female form has been contorted with the use of stays, corsets, billowing skirts and a variety of contraptions meant to transform a woman’s figure. It wasn’t until the invention of the “bias cut” that fabric was able to cling and flow with the movement of the body. The inventor of the bias cut, Madeleine Vionnet, was a French woman born into a poor family in Chilleurs-aux-Bois in 1876. Married at the age of 18, Vionnet moved to London where she apprenticed Kate Reilly, dressmaker to the Royal family. Over a period of time, Vionnet returned to France where she trained with Jacques Doucet, a French designer known for creating gowns adorned with translucent, pastel materials.

Vionnet eventually found her own fashion-house, even though she had been known to hate the world of fashion. She had been noted describing it as something “superficial and volatile.” Despite her intense disdain for the industry, Vionnet forever changed it by introducing the infamous bias cut, which deemed her the “architect of dressmakers.” She used very little stitching while cutting fabric against the grain. The cut was so famous and revolutionary; it was protected from imitation with a copyright, a fingerprint made with her own hand dipped in ink. During this time, copyrights and documents of authenticity was only used to protect other types of industries. Her business practices were unheard of at this time, being the first to give employees benefits such as paid holidays, childcare, doctor visits, etc.

Vionnet was inspired by the natural shape of a woman’s body found in Greek art. She believed that the personality of a dress should take on that of the wearer. With her innovative design and creative commercial strategies, much of the modern fashion industry is still influenced by her pioneering concepts. Vionnet was a trailblazer in women’s history, giving them the liberation to be proud of one’s own natural body.




 Deemed, “The Last Renaissance Man”, Mariano Fortuny was born in 1891 to a renowned family of artists in Granada, Spain. His father was an accomplished genre painter and his mother was the daughter of another famous painter. When his father died at the age of 3, his mother moved the family to Paris, France. Although it was evident at a young age Fortuny possessed the family’s artistic gift, he soon began to prove that painting is only one of his many abilities. Richard Wagner, a German composer, became one of Fortuny’s major inspirations. In Wagner’s operas, he uniquely represented painting, theater, dance, architecture and song in as a unified component working together in unison. It was this idea that led Fortuny to believe artists who controlled all steps in the creative process created the best types of design. As a result, Fortuny became a Lighting Engineer, experimenting with how light can work in theatre. He was able to develop a revolutionary system for illuminating the stage to creat a fusion between the music and backdrop. With constant curiosity driving his ambition, Fortuny ventured into fashion with his wife, Harrietta, who worked as a dressmaker. His designs are most recognized as ethereal, gentle, and airy that is reminiscent of Ancient Greek clothing that adhered to the shape of a woman’s body in motion. In 1907, Fortuny created the “Delphos Robe”, a stunning Art Nouveau dress that was made from pleated silk. It was made for the infamous Isadora Duncan and Sarah Bernhardt. The silhouette, pleating and draping of his design continue to influence fashion design today. As his career in fashion continued to flourish, Fortuny ventured into developing textiles using ancient methods. He was able to do so by fusing his knowledge of engineering, color, and design. Up until his death in 1949, Fortuny continued to pursue his artistic passions.


These sky-scraping, toe-tapping, couture-beyond-comprehension wedges come from London-based shoe company, FINSK. They feature the incredible designs of Julia Lundsten, who is dubbed the “Eames” of footwear. The avant-gard, yet unique wearability has made this brand a fixture at the most renowned shows at both New York and Paris Fashion Week. Not gonna lie. I’d rock these around town [paired with knee pads and my skateboard helmet].